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Yes, I am one of the few critics who actually liked Wicked: For Good. I stand by my review of the film, which argued that while the movie is the weaker half in the two-part adaptation of the Broadway musical, it did right by its source material and delivered a thrilling, emotional, and endearing conclusion. And about Erivo, who is undoubtedly the best Elphaba of all time, I wrote, “many headlines about Wicked: For Good have focused on Ariana Grande, and while it’s true she is great in this sequel and that it’s more Glinda’s movie than Elphaba’s, Erivo is still firing on all cylinders, delivering a timeless performance that is also worthy of unadulterated praise. Throughout Wicked: For Good, Elphaba goes from fugitive freedom fighter, to heartbroken friend and exasperated sister, to frustrated revolutionary, to lover in mourning, to resigned martyr. It’s a depressing arc that sees the optimism of progressivism dashed with a big dose of witch-melting water. The simplicity of the message — that doing good comes at a cost, that no matter your intentions, things don’t always work in your favor, and that facism may take on a new face but it’s an ever-present threat — is the point.”
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